An international team of adjudicators has awarded Albert’s feature-length screenplay Incarnations with Best Screenplay – First Place at the upcoming 2022 Flickers’ Rhode Island International Film Festival. George T. Marshall, RIIFF Executive Director/CEO, made the announcement of the awards that featured 583 entries in competition.
Ranked as one of the top 10 festivals in the United States, Flickers’ Rhode Island International Film Festival is a qualifying festival for the Live Action, Animation, and Documentary Short Film Academy Awards through its affiliation with the Academy of Motion Picture Arts & Sciences, the British Academy of Film and Television Arts (BAFTA) and the Canadian Screen Awards. Sixty-six films that were either premiered or discovered at Rhode Island International Film Festival have gone on to receive Oscar nominations. From this pool, ten have gone on to win the coveted award. In 2019, nine films from the 2018 Festival competed in the Best Live Action, Documentary, and Animated Short categories.
Incarnations, written by Albert, is about a grieving biologist who discovers startling scientific evidence revealing the fate of his deceased four-year-old son, launching him on a spiritual quest where life meets death. The project was previously named a finalist for the Launch Pad Feature Competition, Creative Screenwriting Unique Voices Screenplay Competition, and Screencraft Film Fund.
“THE WRITER DOES A GREAT JOB OF KEEPING THE READER OFF KILTER FROM THE VERY BEGINNING… FROM THAT MOMENT ON, THE READER IS FULLY INVESTED IN THE SCRIPT AND WON’T STOP READING TILL THE END… THE DIALOGUE IN THE SCRIPT ABSOLUTELY CRACKLES… THE WRITER DOES SO WELL TO WRITE SOMETHING THAT SOARS EMOTIONALLY WITHOUT EVER FEELING SENTIMENTAL, CLOYING, OR FALSE… THE SCRIPT IS TRULY UNIQUE. IT’S UNLIKE ANYTHING THE READER HAS SEEN BEFORE: A FASCINATING PREMISE WITH AN ENTHRALLING WORLD.”
“INCARNATIONS DELIVERS ON ALL THE BEST PARTS OF A GOOD CEREBRAL SPECULATIVE FICTION PIECE. IT DOESN’T SHY AWAY FROM THE HUMAN QUESTIONS RAISED BY THE PREMISE, INSTEAD USING THE CONCEPT TO GROUND A COMPELLING CHARACTER-DRIVEN NARRATIVE FRONT TO END… A WELL-CRAFTED AND DEEPLY INTELLIGENT PIECE OF FICTION, THOUGHT-PROVOKING IN ALL THE RIGHT WAYS.”
“THE CHARACTERS AND RELATIONSHIPS ARE THE STRONGEST PART OF THIS STORY AND IT SETS A STRONG FOUNDATION FOR PLOT… SO MUCH OF THE DIALOGUE IS POWERFUL… REFRESHINGLY HONEST… THE ENDING WAS INCREDIBLY EMOTIVE… THERE ARE MEANINGFUL MESSAGES THAT WE’RE LEFT WITH, THAT WE’VE LEARNT ALONG THE JOURNEY WITH THE CHARACTERS.”
“CLEVER, ORIGINAL, INTELLECTUALLY STIMULATING, AND GRIPPING, A HIGH CONCEPT IDEA THAT TRANSLATES INTO A SMART CHARACTER- AND IDEA-DRIVEN STORY… THE PLOT TWISTS ARE CONSISTENTLY SURPRISING… THE KIND OF LOW-BUDGET, INTELLECTUAL THRILLER THAT PLAYS AT SUNDANCE… BELONGS TO THE SAME GENRE AS PRIMER, TIMECRIMES, AND OTHER ARTHOUSE SUCCESSES. THE IDEAS ARE KING HERE.”
“THE SCRIPT’S BEST ASSET IS THOMAS: A CAPABLE, SYMPATHETIC PROTAGONIST WITH A TRAGIC PAST WEIGHING HIM DOWN AND DRIVING HIS OBSESSION, EVEN AS HIS COLLEAGUES AND FRIENDS TRY TO GET HIM BACK ON TRACK — THE PUSH-AND-PULL BETWEEN CHARACTERS GIVES THE SCRIPT MUCH OF ITS HEART.”