Albert’s feature screenplay Incarnations is now a “TRENDING SCRIPT” on the influential The Black List. According to a Black List reader: “Thought-provoking, mindblowing, and heartfelt, Incarnations blends science-fiction, spirituality, and pathos to create something wholly new and memorable… Incarnations hooks our attention immediately with its mindblowing high concept. The execution that follows is thoughtful and human… incredibly powerful and stirring, a unique catharsis only this script and this concept can deliver.”
The Black List is a platform for film and TV writers to showcase their screenplays for industry members. Since 2005, each December, The Black List releases its annual list, a survey of the most liked unproduced screenplays of that year. The annual lists, aggregated using votes from film executives working in the film industry, have included such Oscar winning films as JUNO, THE KING’S SPEECH and ARGO.
Incarnations, written by Albert, is about a grieving biologist who discovers startling scientific evidence revealing the fate of his deceased four-year-old son, launching him on a spiritual quest where life meets death. The project won First Place in the Best Screenplay competition at the upcoming Oscar-accredited 2022 Flickers’ Rhode Island International Film Festival, and was previously named a finalist for the Launch Pad Feature Competition, Creative Screenwriting Unique Voices Screenplay Competition, and Screencraft Film Fund.
“THE WRITER DOES A GREAT JOB OF KEEPING THE READER OFF KILTER FROM THE VERY BEGINNING… FROM THAT MOMENT ON, THE READER IS FULLY INVESTED IN THE SCRIPT AND WON’T STOP READING TILL THE END… THE DIALOGUE IN THE SCRIPT ABSOLUTELY CRACKLES… THE WRITER DOES SO WELL TO WRITE SOMETHING THAT SOARS EMOTIONALLY WITHOUT EVER FEELING SENTIMENTAL, CLOYING, OR FALSE… THE SCRIPT IS TRULY UNIQUE. IT’S UNLIKE ANYTHING THE READER HAS SEEN BEFORE: A FASCINATING PREMISE WITH AN ENTHRALLING WORLD.”
“INCARNATIONS DELIVERS ON ALL THE BEST PARTS OF A GOOD CEREBRAL SPECULATIVE FICTION PIECE. IT DOESN’T SHY AWAY FROM THE HUMAN QUESTIONS RAISED BY THE PREMISE, INSTEAD USING THE CONCEPT TO GROUND A COMPELLING CHARACTER-DRIVEN NARRATIVE FRONT TO END… A WELL-CRAFTED AND DEEPLY INTELLIGENT PIECE OF FICTION, THOUGHT-PROVOKING IN ALL THE RIGHT WAYS.”
“THE CHARACTERS AND RELATIONSHIPS ARE THE STRONGEST PART OF THIS STORY AND IT SETS A STRONG FOUNDATION FOR PLOT… SO MUCH OF THE DIALOGUE IS POWERFUL… REFRESHINGLY HONEST… THE ENDING WAS INCREDIBLY EMOTIVE… THERE ARE MEANINGFUL MESSAGES THAT WE’RE LEFT WITH, THAT WE’VE LEARNT ALONG THE JOURNEY WITH THE CHARACTERS.”
“CLEVER, ORIGINAL, INTELLECTUALLY STIMULATING, AND GRIPPING, A HIGH CONCEPT IDEA THAT TRANSLATES INTO A SMART CHARACTER- AND IDEA-DRIVEN STORY… THE PLOT TWISTS ARE CONSISTENTLY SURPRISING… THE KIND OF LOW-BUDGET, INTELLECTUAL THRILLER THAT PLAYS AT SUNDANCE… BELONGS TO THE SAME GENRE AS PRIMER, TIMECRIMES, AND OTHER ARTHOUSE SUCCESSES. THE IDEAS ARE KING HERE.”
“THE SCRIPT’S BEST ASSET IS THOMAS: A CAPABLE, SYMPATHETIC PROTAGONIST WITH A TRAGIC PAST WEIGHING HIM DOWN AND DRIVING HIS OBSESSION, EVEN AS HIS COLLEAGUES AND FRIENDS TRY TO GET HIM BACK ON TRACK — THE PUSH-AND-PULL BETWEEN CHARACTERS GIVES THE SCRIPT MUCH OF ITS HEART.”